FriendOfDeSoto

I think “projection” works. I thought of “external attribution” as well when I read this question.

I’m not an expert. I suppose the internet would be a mess of unexpected holes for a while. But since I don’t know anything more productive than that I just wanted to ask: are you writing the next Bond movie script?

I think several factors play into its lasting popularity.

1. The series was written and first made into movies at a different time. A time when being a misogynists alpha male was aspirational for many, many more men. The unexpected success of the first movies created the foundation to an intellectual property that generations of mostly fathers introduced to their mostly sons. It never went away. Even in years where lawsuits prevented making new movies or when the latest installment of the franchise was considered controversial for whatever reason, the popularity stayed high. And the older the series gets, the more controversial everything becomes.

2. Very few movies have what I would call a great coherent plot. They are going through checklists: we need a bonkers villain, a weird henchperson, a fancy car, at least one love interest, a gadget, a plan for world domination, and a witty line or two. Throw in a location in the Caribbean or the snowy Alps and that’s the formula. It’s Batman from MI-6 in London, really. It’s a comic book story that tries to seem somewhat realistic, in each movie’s release year’s contemporary time. And the more time passes the less jarring the obvious differences to reality become, and the more they are enjoyable as “leave your brain at the door”-popcorn-eating entertainment. Also, I think, the fact that many actors have played different roles over the years, sometimes overlapping with other cast changes, mostly unaddressed in the films why that happened, added to this “brain at the door”-ishness.

3. They’ve gone with the time - to an extent. Where Sean Connery bedded every (young) woman he met and discarded them with a pad on the butt saying things like “man talk,” Daniel Craig’s lady conquest numbers were much lower and the sex less gratuitous - within the formula. Pierce Brosnan’s Bond was called a misogynist pig by his female boss. Under the stewardship of Broccoli/Wilson, the second generation in charge of the franchise, they have incrementally changed the formula.

4. Because the series is so long lasting, there is tons of free publicity in the media, e.g. who will be the next Bond? Will be be less sexist? Will the female lead be more than a conquest? They don’t really need to buy ads for this. Also, there are plenty of companies willing to product place for a hefty price. If there ever was a time when the makers were considering if this was still of the time, the economic interests will surely push those progressive thoughts aside.

I think that if we lived in a world where the Ian Fleming idea had not been adapted into film during the early years of the cold war, nobody would greenlight this project today. And it is its entrenchment in popular culture that keeps it going.

The appeal is definitely more male but I know women who like Bond movies as well. I know this is very stereotypical: men look at the Aston Martin, the gadgets, and the boobs, women at the dresses, the pretty scenery, and how well the Bond girl stands up for herself. And while I’m sure that a subgroup of men looks at the Bond character as a role model, I would say the majority knows this is fiction and just a tad less comic-bookish than Ironman. It’s the male version of a cheap romance novel on a silver screen with more mass appeal.

If this has not become clear from this dissertation: I’m a fan. I can enjoy these movies without wanting to revert to 1960s gender role models. I also know it’s not for everyone.

I think you maybe be extrapolating here from too tiny a dataset. Type “tongue out selfie” into the search engine of your choice and be amazed at how many people have written dissertations on the subject. The simplified take is it started with teenage girls and spread from there.

For my answer I’m going to assume - because it wasn’t all that clear to me - that you are also female and you’ll be teaching somewhere in the United States of America. If I’m mistaken, stop reading here.

Kids don’t care. If you tell them this person loves that person and that’s why they’re together, that generally settles that. The problem here is their parents or other influential grownups in their lives … if they’re a-holes or just always have something negative to say about LGBT+, or worse. If news filters through to them and they’re fond of the MAGA hat, I would not be surprised if at the very least you’d be heavily discussed in a text thread of like minded parents.

I would like to say “eff it, it’s 2025, you do you! Shout it from the rooftops. You have nothing to fear in reprisals.” But I’m thinking “sh!t, it’s 2025 in America, there is a chance that you will have to deal with a ton of it if you’re unlucky.” So the question becomes one of your inner fortitude: do you think you can do this job while facing sh!t every day? This ranges from hushed chatter to outright questioning and condemning you for your identity, from kids to parents and possibly to the faculty? Do you want to risk putting quite a heavy load on your shoulders on top of what teachers carry in general? If you say yes, or you can find other work when it gets too much, go for it. If not, I’d be cautious to make it about you. You can talk in general about how relationships are described in Spanish without casually mentioning where you stand.

Personally, I want all of us to live in a world where any of these considerations seem laughable. My gut feeling tells me that we have been closer to that ideal in the past decade than we are today.